“Deadstock”, 2021, mixed media
Max Glader
(*1996, lives in Stockholm)
Max Glader explores various ways of deliberately sensitizing the edges of established shapes and formats, whether it be paper cutouts, broadcasting, or independent literature publishing.
The combined use of technology, and hands-on approach, sets him onto a string of consistent experimentation. Like a printshop studio gone awol, Max´s frenetic output and experimentation finds him successfully linking up to our current times and aestethics, occasionally by something so simple as a white laser-cut silhouette mask-taped to a white paper.
Recent exhibitions include: "All Inn", Het Hem, Zandaam, 2021; "Admit This Is Beautiful" M4 Gastatelier, Amsterdam, 2019; and "Touch and Feel In an Unreal World" Stedelijk Museum, Amsterdam, 2018.
“Deadstock”, 2021, mixed media
Max Glader
(*1996, lives in Stockholm)
Max Glader explores various ways of deliberately sensitizing the edges of established shapes and formats, whether it be paper cutouts, broadcasting, or independent literature publishing.
The combined use of technology, and hands-on approach, sets him onto a string of consistent experimentation. Like a printshop studio gone awol, Max´s frenetic output and experimentation finds him successfully linking up to our current times and aestethics, occasionally by something so simple as a white laser-cut silhouette mask-taped to a white paper.
Recent exhibitions include: "All Inn", Het Hem, Zandaam, 2021; "Admit This Is Beautiful" M4 Gastatelier, Amsterdam, 2019; and "Touch and Feel In an Unreal World" Stedelijk Museum, Amsterdam, 2018.