FRUSEN GLÄDJÉ
Agassi Bangura, Oscar Carlson,Tora Schultz Larsen, Ilja Karilampi, Lotte Andersen, Susann Brännström, Patrick McGraw / Heavy Traffic Magazine, Mathis Altmann, Stefan Tcherepnin, & Max Glader
13.3 - 4.4.21
StudyForArtPlatform
The premium segment US ice cream brand Frusen Glädjé (”frozen delight” in Swedish) was founded in 1980 in an attempt to capitalize on the growing trend of American companies adopting Scandinavian sounding names. Such was also the case of ”Häagen-Dazs”, who’s Bronx retail founder named its ice cream brand in a quest for a Danish sounding pedigree in the 1960´s (in syntax analysis on Wikipedia however, the name comes off more as Hungarian.) Mövenpick can also be said to belong to the same category, using letters such as ä or ö, to create a nonsensical fictive Nordic sounding name, of which the American consumer had no idea.
The race for being the ultimate Scandinavian brand culminated with Häagen-Dazs unsuccessfully sueing Frusen Glädjé for launching a series of television ads which used a branding strategy built on a foreign heritage.
Curated by Tre Kronor, “Frusen Glädjé” is an international group exhibition which brings together a high-quality concoction at the StudyForArtPlatform premises, spearheading cultural fraternization and acknowledging appropriation in all directions; allowing plenty of time for “studying” the resources inside the exhibition.
Frusen Glädjé highlights several positions, some established, some busy on the fringes, *(The Embassy — Life In The Trenches (album, 2011) — a collaborative effort of ingenuity for an upcoming period of challenges, visual clues, and excitement. *(“Tough times never last, only tough people last; rblebleeblubleblum” — Demi Demi, South Africa, 2019).
Miss shii🦋 307Shibah · 28 jan.
Minimum wage in Switzerland is $25?? Lemme go change my name to Hinga dinga durgen
Du Retweetade
Glenn Fratty_Hearst · 26 jan.
Hinga dinga durgen im bout to go to ✈️️Scandinavia
Katarina Bangata 66
Stockholm
Ilja Karilampi, Susann Brännström, Stefan Tcherepnin, Mathis Altmann, Lotte Andersen, Max Glader
Mathis Altmann, "Pierced Booger", 2017
Max Glader, "Deadstock", 2021
Oscar Carlson, "Mystery Display", 2010
Stefan Tcherepnin, "Gallery Bells", 2014
Patrick McGraw, "You, Me, and Amazon´s New 2.5 Billion Dollar Headquarters"
Ilja Karilampi, "Jubilee (Rinse.fm)", 2020
Ilja Karilampi, "DM15", 2021
Lotte Andersen, "Pleasure seekers", 2021
Susann Brännström, "Dark Sober”, 2021
Lotte Andersen, "Pleasure seekers", 2021
Susann Brännström, Lotte Andersen, Ilja Karilampi, Patrick McGraw
Ilja Karilampi, "DM14", 2021
Agassi F Bangura, Stefan Tcherepnin, Patrick McGraw
Patrick McGraw, collected writings
Patrick McGraw, Tora Schultz Larsen, Stefan Tcherepnin
Stefan Tcherepnin, "Konstmask (Galavision)", 2021
Agassi F Bangura, "DökHoki (Life)”, 2007, 6 min 56 sec
Tora Schultz Larsen, "Pernille 1970", 2021
Stefan Tcherepnin, "Gallery Bells", 2014
FRUSEN GLÄDJÉ
Agassi Bangura, Oscar Carlson,Tora Schultz Larsen, Ilja Karilampi, Lotte Andersen, Susann Brännström, Patrick McGraw / Heavy Traffic Magazine, Mathis Altmann, Stefan Tcherepnin, & Max Glader
13.3 - 4.4.21
StudyForArtPlatform
The premium segment US ice cream brand Frusen Glädjé (”frozen delight” in Swedish) was founded in 1980 in an attempt to capitalize on the growing trend of American companies adopting Scandinavian sounding names. Such was also the case of ”Häagen-Dazs”, who’s Bronx retail founder named its ice cream brand in a quest for a Danish sounding pedigree in the 1960´s (in syntax analysis on Wikipedia however, the name comes off more as Hungarian.) Mövenpick can also be said to belong to the same category, using letters such as ä or ö, to create a nonsensical fictive Nordic sounding name, of which the American consumer had no idea.
The race for being the ultimate Scandinavian brand culminated with Häagen-Dazs unsuccessfully sueing Frusen Glädjé for launching a series of television ads which used a branding strategy built on a foreign heritage.
Curated by Tre Kronor, “Frusen Glädjé” is an international group exhibition which brings together a high-quality concoction at the StudyForArtPlatform premises, spearheading cultural fraternization and acknowledging appropriation in all directions; allowing plenty of time for “studying” the resources inside the exhibition.
Frusen Glädjé highlights several positions, some established, some busy on the fringes, *(The Embassy — Life In The Trenches (album, 2011) — a collaborative effort of ingenuity for an upcoming period of challenges, visual clues, and excitement. *(“Tough times never last, only tough people last; rblebleeblubleblum” — Demi Demi, South Africa, 2019).
Miss shii🦋 307Shibah · 28 jan.
Minimum wage in Switzerland is $25?? Lemme go change my name to Hinga dinga durgen
Du Retweetade
Glenn Fratty_Hearst · 26 jan.
Hinga dinga durgen im bout to go to ✈️️Scandinavia
Katarina Bangata 66
Stockholm
Ilja Karilampi, Susann Brännström, Stefan Tcherepnin, Mathis Altmann, Lotte Andersen, Max Glader
Mathis Altmann, "Pierced Booger", 2017
Max Glader, "Deadstock", 2021
Oscar Carlson, "Mystery Display", 2010
Stefan Tcherepnin, "Gallery Bells", 2014
Patrick McGraw, "You, Me, and Amazon´s New 2.5 Billion Dollar Headquarters"
Ilja Karilampi, "Jubilee (Rinse.fm)", 2020
Ilja Karilampi, "DM15", 2021
Lotte Andersen, "Pleasure seekers", 2021
Susann Brännström, "Dark Sober”, 2021
Lotte Andersen, "Pleasure seekers", 2021
Susann Brännström, Lotte Andersen, Ilja Karilampi, Patrick McGraw
Ilja Karilampi, "DM14", 2021
Agassi F Bangura, Stefan Tcherepnin, Patrick McGraw
Patrick McGraw, collected writings
Patrick McGraw, Tora Schultz Larsen, Stefan Tcherepnin
Stefan Tcherepnin, "Konstmask (Galavision)", 2021
Agassi F Bangura, "DökHoki (Life)”, 2007, 6 min 56 sec
Tora Schultz Larsen, "Pernille 1970", 2021
Stefan Tcherepnin, "Gallery Bells", 2014